Lucys

 

Queen Luckyl's Dolls

 

Alice in Wonderland Themed

 

My Alice in Wonderland scarf:

Reading List

You have read Dracula, Frankenstein, and The Portrait of Dorian Gray.  You have exhausted H.P. Lovecraft. You have even read Wuthering Heights.  It is twenty-five years into the twenty-first century and you say, "Isn't there anything cool to read? Isn't there anything atmospheric?  Isn't there anything interesting? I want to know where my soul goes at night. Isn't there anything that will tell me that?"

Well, there is. But in some cases, the books are obscure and you might have to back to the 19th century.  As the days grow longer and hotter, get ready to pack your beach bag with one of these.  They will entertain you long into the night and maybe even put chills down your spine and help keep you cool.  

I am a bibliophile and you know I know books.  So here you go. In no particular order.

1.)  Zanoni by Bulwer Lytton (1842)

It is a sweeping, gothic romance steeped in the occult, secret societies, and the quest for immortality. The story follows Zanoni, an enigmatic Rosicrucian brother who has lived for centuries possessing timeless youth and supernatural powers. However, his immortal existence is challenged when he falls deeply in love with a mortal opera singer, forcing him to choose between eternal, detached wisdom and the passionate, fleeting joys of human love.

2.) Anything by or about Marie Corelli

Particularly The Sorrows of Satan (1895) and The Soul of Lilith (1892).

Corelli didn't just write simple romance or drawing-room dramas; she wrote grand, atmospheric epics steeped in the mystical and the supernatural. Her stories feel like dark, sweeping fairy tales for adults. She blends gothic elements, ancient mysteries, and psychological tension into stories that feel intensely cinematic and moody. If you love books that wrap you in a thick, mysterious atmosphere from page one, she delivers that beautifully.

3.) Anything by or about Dion Fortune

If Marie Corelli’s lush, dramatic, and gothic style hits the right notes for you, then Dion Fortune is the logical next step into a slightly deeper, darker, and more psychologically intense realm.

Dion Fortune (the pen name of Violet Firth) was writing a few decades after Corelli, primarily in the 1920s and 30s. But where Corelli wrote grand, romanticized mystical fantasies, Dion Fortune brought something entirely different to the table: she was a trained psychoanalyst and a genuine, practicing occultist.

When you read her fiction, you aren't just reading standard supernatural thrillers—you are reading stories written by someone who deeply understood both Sigmund Freud's theories of the unconscious mind and the ancient, hidden traditions of the esoteric world.

4.) Carmilla by Le Fanu (1872)

It is one of the absolute pillars of Gothic literature, famously published 25 years before Bram Stoker wrote Dracula. In fact, Stoker was heavily influenced by Le Fanu's work when creating his own famous vampire.

If you appreciate a certain depth, mood, and texture in your reading, Carmilla is a masterpiece that will completely captivate you. Here is exactly why it fits that specific literary palate:

Le Fanu was a master of what is called "the dread of the unseen." Carmilla is set in a lonely, isolated castle (a schloss) surrounded by dense, dark forests in Styria, Austria. The story is drenched in an unhurried, melancholic mood—think thick evening mists, forgotten ruins, moonlit corridors, and a quiet, creeping sense of unease. It doesn't rely on cheap, modern shock value; it builds a rich, palpable texture that wraps around you like a heavy velvet cloak.

5.) Anything by Algernon Blackwood

If you enjoy the slow-burning, psychological tension of Dion Fortune and the exquisite, heavy dread of Carmilla, Algernon Blackwood is an author you absolutely need to meet.

Writing in the late 19th and early 20th centuries, Blackwood is widely considered one of the greatest masters of supernatural fiction who ever lived. H.P. Lovecraft himself was a massive admirer, calling Blackwood’s work "supreme" and "unexcelled."

But Blackwood didn't write about typical ghosts rattling chains in old castles. Instead, he pioneered "The Cosmic Weird" and "Psychological Terror." Here is exactly why his writing will resonate so deeply with you:

Blackwood was an avid outdoorsman, a mystic, and a traveler who spent years living in the wilderness. Because of this, the "antagonist" in his stories is almost always Nature itself—but a version of nature that is alive, ancient, watchful, and intensely eerie. He excels at making you feel that a lonely forest, a quiet riverbank, or a windswept island has its own consciousness and secrets. If you love stories where a thick, mysterious atmosphere wraps around you until the setting itself becomes a character, Blackwood is the absolute gold standard.

6.) The Mysteries of Udolpho by Ann Radcliffe (1794)

If you are drawn to the rich, heavy atmosphere of Carmilla, the psychological depth of Oliver Onions, and the grand, mysterious world-building of Marie Corelli, this book is essentially the "Grandmother" of them all. Ann Radcliffe was the undisputed queen of the early Gothic novel, and Udolpho is her absolute masterpiece. It was a massive cultural phenomenon in its day.

Radcliffe didn't just write stories; she painted them with words. The book follows a young, soulful Frenchwoman named Emily St. Aubert who, after a series of family tragedies, finds herself trapped in the remote, menacing Castle Udolpho, high up in the rugged Apennine mountains of Italy.

The setting itself becomes a living character. Radcliffe fills the pages with:

• Vast, gloomy, moonlit corridors and winding subterranean vaults.

• The distant, melancholic howling of wolves in the black forests below.

• Eerie, unexplained sighs echoing behind the heavy tapestry of locked rooms.

If you love being completely enveloped by a thick, dark, and brooding mood, Udolpho is the gold standard of scenic texture.

A Note on the Journey: Because it was written in 1794, it is a long commitment (often running 600+ pages depending on the edition). But if you treat it like a grand, atmospheric estate you are moving into for a couple of weeks, the sheer depth of the mystery and the beauty of the prose make it an incredibly rewarding, classic escape.

My own summer reading list includes:

The Complete Ghost Stories of Oliver Onions (1935) and The King of Elfland's Daughter (1924) by Lord Dunsany.

Where to Buy the Dolls

 As many of you know, it is not easy to find the dolls.  If you are new to the dolls, or just looking to browse old favorites, I recommend that you go here:

BJD Collectasy

https://bjdcollectasy.com/companies-other-links/

You can also read news on new releases there.  You can spend countless hours down the rabbit hole there.

Think long and hard before you buy a doll. You should love it.  Do not settle for one that you are not in love with.

Come into my parlor, said the spider to the fly

Normal is an illusion. What is normal for a spider is chaos for a fly.

    [ The Web ] 
     /       \
(Spider)   (Fly)
 Order     Chaos

That is one of the most brilliant, razor-sharp pieces of writing because it completely shatters the idea that there is a single, "correct" blueprint for reality.
It is famously a line delivered by Morticia Addams, and beneath its dark, gothic wit lies a profound truth that philosophers, biologists, and teleologists have debated for centuries.
When you really break it down, it is the ultimate reminder that perspective dictates everything.
The Teleological Reality: Dual Purposes
If you look at that statement through a teleological lens (the philosophy of purpose and design), it highlights a fascinating paradox in nature.
A teleologist would say that the universe is a masterpiece of design, but it is a nested design.
For the Spider: The web is a masterpiece of geometry, architecture, and patience. Its ultimate purpose (telos) is survival, a home, and a quiet place to wait. To the spider, the web is absolute order.
For the Fly: That exact same web is a lethal, invisible snare. It represents the violent disruption of its flight, confinement, and the end of its life. To the fly, it is absolute chaos.

Both experiences are happening at the exact same moment, in the exact same coordinates of space. The web is functioning perfectly according to its design, but the "purpose" looks completely different depending on which side of the silk you are standing on.
The Atmospheric Illusion of "Normal"
Writers like Walter de la Mare, Algernon Blackwood, and Dion Fortune built their entire literary careers on this exact premise.
In a classic atmospheric ghost story, "normal" is just a thin, fragile crust. The characters are living their regular lives, pouring tea, and reading books (the fly's version of order). But just beneath the surface, or in the shadows of the room, an ancient, unseen force or a phantom presence is operating by a completely different set of cosmic laws.
What feels like terrifying supernatural chaos to the human character is actually just the "normal" behavior of the spiritual world bleeding through the wallpaper.
The Ultimate Takeaway
The statement reminds us that "normal" isn't a fixed, objective point in the universe. It is a subjective comfort zone.
Whenever we think the world is spinning out of control or making no sense, it usually just means we've accidentally flown into someone else's web, looking at a design that wasn't built for us to easily understand. It forces us to stretch our imagination and realize that the universe is wide enough to hold absolute order and absolute chaos in the exact same thread of silk.

Tea Pets

 I ordered one. I ordered a color changing one.